Hitch

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What most attracted you to your significant other, or any of your friends?  Why do we think we have to be the “ideal” rather than ourselves when we meet people, especially those we consider potential mates?  Hitch deals with just those questions.  But, rather than bolstering the self-esteem of the clients he works with, he tries to teach them how to be cool to attract the object of the client’s affection.

Hitch, played by Will Smith, takes on a client named Albert Brennaman (played by Kevin James) who has totally lost it over the beautiful socialite Allegra Cole (played by Amber Alletta).  Hitch also has his own love interest, with whom his relationship has a much bumpier time getting off the ground.  Add to all that, that Hitch’s girl, Sara Melas (played by Eva Mendes) is a reporter trying to expose the so-called “date doctor.”  It makes for a funny, but very meaningful film.

At first it appears that Hitch’s smooth lines, grooming tips and list of dating dos and don’ts are really the way to the heart of the girl of your dreams.  And, while they do help, somehow it turns out that when the true feelings are exposed it’s when those brief glimpses of the real person are shown that the connection is really made.  So, I think this can best be summarized as “be courteous (as we all should), but be yourself.”  What good is it to work so hard to attract someone if you have to keep up a false facade?  It’s too hard to keep up that mask, and one day you’ll both wake up wondering who you really are.  Albert is told not to dance, but he does anyway when he thinks Allegra isn’t watching.  He’s told not to use his inhaler, but he does anyway (then chucks it in a sudden burst of courage).  He just can’t hold his true self in.  Similar things happen to Hitch.  Despite his attempt to be cool and suave, an allergic reaction not only makes him look like he has some sort of disease, the medication he takes for it make him talk and say things he would never say if he wasn’t under the influence.

Another point to be made in this movie is “Don’t jump to conclusions!!!!”  We tend to pigeon-hole people into areas based on what we see and in the process we might miss out on getting to know someone wonderful.  We see a great example of this with the whole Albert and Allegra part of the movie.  No one can see what she sees in him, both in his appearance and awkwardness.  It makes the idea that there is a mysterious date doctor out there so much more probable.

On that same track, Sara’s friend Casey, has a one night stand with a man she thinks she has a connection to.  As he’s leaving, he comments “date doctor my a**” which she takes to mean that she’s been played by someone who’s a client of Hitch’s.  However, in reality, Hitch refused to work with Casey’s one-night-wonder because he tries to connect people who are in love, not just out for tail.  So, Casey shares the story with her bestie, Sara, who ultimately learns that Hitch is the date doctor.  Then, rather than confront him about it, she blows up in a truly psychotic fashion and exposes him publicly, which then puts Albert and Allegra in the hot seat with him, along with many of Hitch’s former clients.

Another thing is look in this film is to look for the good in others.  If you are looking for the good, you’ll see their soul, which has the capacity to be beautiful for eternity.  But if you’re looking for what looks good, those looks are fleeting and won’t really satisfy you at the end of the day.  I hope it goes unsaid that if you look at the soul and see evil – just run.  If they don’t treat people well – and I’m talking bums to bosses, they probably won’t treat you well.  Granted, everyone has the capacity to change…  but you can’t make them do it, it has to come from within themselves.

Hitch makes a plea to Sara at one point explaining what he does as trying to get women (as most of his clients are men) to get out of “their own way” (of being) so that they will even give guys like Albert a chance.  How often do we have preconceived notions of our “type.”  We find it easy to blow off potential mates by saying that he or she isn’t our type.  But what would happen if we dropped our idea of type to try to get to know someone who may not be the type we planned for ourselves, but the type we are called to love.  In most great relationships, there is a balance.  Couples complement each other.  “Complement” meaning complementary personalities, skills and demeanor, not that they give complements to each other constantly (which could be nice, too)…  They really can’t be too alike or complete opposites.  There’s something there, but sometimes we just have to look beyond the surface.

Love versus sex.  Since Hitch refuses to work with those who are just out for sex, we see that this date doctor is a likable guy who, despite his methods, is really a romantic.  And, Hitch’s idea that the pursuit of love is more honorable than the pursuit of sex is pretty consistent with the rest of the characters.  We see those in pursuit of sex portrayed as shallow and loathsome.  While a lot of movies out there portray characters who learn that love is better than sex, this is one of the few that portrays it all the way through and doesn’t have to show the big conversion.

Hitch is rated PG-13 for some language and strong sexual references, but there isn’t an actual sex scene, which is refreshing.  And, due to the love versus sex undertones, some discussion of sex actually seems appropriate to get the point across.

For more info, check out http://www.imdb.com/title/tt0386588/

Keeping Up With the Steins

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We try everything we can do to help students know what Confirmation really means, right?! Well, Keeping Up with the Steins is about the journey of Benjamin Fiedler, who is preparing for his Bar-Mitzvah. Throw in a long-lost Grandpa and the strained relationship with he family he left, and you’ve got a funny yet touching flick that really gets a look at how secular some of our most sacred traditions have become.

The father, Adam Fiedler (played by Jeremy Piven) constantly downplays the importance of the Bar-Mitzvah, all consumed in planning the ultimate party and out doing his business competition. Young Ben invites his long lost grandfather, Irwin Fiedler (played by Garry Marshall), who in addition to being known and disliked for the way he left his family, is leading lifestyle much different than that of the family he left with his MUCH younger girlfriend (played by Daryl Hannah), and Adam’s focus switches to how to get through the Bar Mitzvah without being totally embarrassed by Irwin. In any case, the real significance of the event is lost on Adam and Ben is left trying to find the meaning in this rite of passage.

So Benjamin is trying to figure out what it all means and asks questions of all those around him, well, except the Rabbi because he seems intent to spend as little time in the Hebrew classes as possible. If it wasn’t for Irwin, poor Benjamin would remain to wallow in doubt and confusion. Irwin takes the time to work with Benjamin, talk to the Rabbi, and interact with others in a way that Benjamin not only studies the Haf Torah, he really starts to understand and believe in it.

Since Bar Mitzvah’s occur during approximately the same time we confer the Sacrament of Confirmation, and our Candidates for the sacrament are having to take ownership of their faith, much like our Jewish brethren. It doesn’t take a rocket scientist see the correlation. So, I encourage everyone to go back to the time of your Confirmation, what questions did you have? Who helped you deal with them? How was it viewed in your family (rite of passage, gracious gift from God, boring thing they had to sit through a two-hour mass for)?

If you’re reading this and you’re not of a faith that believe in Confirmation or the Bar/Bat Mitzvahs, think about why you do what you do in terms of faith & spirituality. Do you do it because it is expected, or because you really believe? Have you ever gotten wrapped up in the comercialization of a Religious event or holiday?

The other thing this movie brings to the table is the reconciliation between Adam and Irwin. Adam has a very hard time forgiving Irwin, even though Adam’s mother (played by Doris Roberts) forgave him long ago and still loves him. It takes Ben having a bit of a meltdown to get them to really talk and start to see what happened. Who do we need to reconcile with in our lives? Maybe it’s a parent, maybe a sibling or a child… but when we look at the situation(s) from their point of view would we understand their actions a little better, even if we still don’t approve or the result?

I’m also impressed at how Benjamin handles his struggle. Many kids would have given up… or just have gone along with it for the party and / or gifts. However, Benjamin truly wants to know what he’s doing and feel comforatable with it. There’s certainly honor in that – even if he does make a mis-step or two in the process.

Now, as much as I recommend this movie – especially if you need a little help diving into this type of conversation with a young candidate, I must warn you, it’s PG-13 for some brief rear nudity and alcohol use, so you’ll need to preview it before you show it to anyone at Bar-Mitzvah age. =] Enjoy!

http://www.imdb.com/title/tt0415949/trailers-screenplay-vi736035097

Robots

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“See a need.  Fill a need.”

I’ve got to admit, I love a good kids movie.  Featuring voice talents of Ewan McGregor, Robin Williams, Amanda Bynes, Stanley Tucchi, Drew Carey, Jennifer Coolige and many others, this is a kids tale that I hope really sinks in the psyche of it’s intended audience!

Despite being quite funny, Robots reminds us what happens when we let consumerism take over and how to treat our elders.  First, we see the birth and growth of our hero, Rodney Copperbottom.  His parents are poor, and can’t afford new parts, so he often has hand-me-down parts from other relatives.  He’s an inventor although his inventions need a little fine tuning.  After one of his inventions goes awry, he decides to move to the big city in search of Bigweld the inventor and try to make a better life.

The big city isn’t quite as Rodney expects. Bigweld isn’t easy to find and those running Bigweld’s company have decided to stop making spare parts and emphaze upgrades.  So, all those with old parts are declared “out modes” and street sweepers roam the streets in search of these out modes to collect them and take them to the scrap yard.

Rodney finds himself in the company of a gang of robots who are already or on the verge of “out mode” status.  His knack for mechanics finds him fixing many out modes and the flock to him in droves.  But he can still do only so much without new parts.

Okay – so what can we talk about with this one in terms of catechesis?

  1. Rodney Copperbottom is portrayed as a Jesus figure.  He’s a healer.  Bots flock to him for his repair talents.  He tries to convince Bigweld that the welfare of the bots should take precedent over money.  But Bigweld has given up the fight and resigned himself to other endeavors. How often did Jesus preach repentance – and work to help us all see the error of our ways.  Rodney is criticized for repairing the old bots and is even somewhat persecuted because of it.
  2. This flick helps broach the topic of euthanasia and / or ethnic cleansing.  Out modes are considered worthless.  Anyone who doesn’t accept “upgrades” (which are beyond the financial abilities of most of the bots) and tries to maintain themselves as is, are considered enemies.  Old bots are swept up by street sweepers to be melted down for new upgrades.  Sounds eerily like rounding up Jews during the Holocaust or the ethnic cleansing that has taken place in Africa…  maybe even like those protesters who were run over by tanks in Tienanmen Square.  What about the idea that anyone over a certain age is a drain on society and therefore should be euthanized?  Life is not considered sacred and therefore seen as disposable.  But as we see, there’s a lot of life left in those old bots, and they have a lot to give!
  3. Upgrades make more money for the company…  so spare parts are discontinued to force bots to upgrade – sound like anything familiar?  Think about how fast technology is moving?  When was the last time we chose upgrading the old over trashing the old to buy new?  Nothing lasts anymore, why do you think that is?  Well, if the items we buy don’t last as long, we have to buy new – right?  Do we find ourselves wanting the latest and greatest or do we count our blessings and try to help others with our means?
  4. “See a need.  Fill a need.”  This is the film’s catchphrase.  It’s used to encourage inventions in the beginning, but we see a switch to mean helping others fairly early on.  What needs are there in your community?  What needs are there in the world?  What can you do to fill those needs?  What resources do you need?  How can you use your talents to make the world a better place?

This is definitely appropriate for all audiences.  Like I said earlier, there’s enough here for adults despite being geared to kids.  No need to split boys and girls as both are well represented and the jokes are pretty clean.  So, check out this film when you get a chance!  It’s well worth your time!

For more info, check out http://www.imdb.com/title/tt0358082/

The Interpreter

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“Vengeance is a lazy form of grief.”
 
So, a movie that struck me the very first time I saw it was The Interpreter. Both of the main characters have suffered severe loss.  An overheard conversation of an assassination attempt bring together these two suffering souls. It’s an interesting story and an exciting thriller, but what really got me, was this story Nicole Kidman’s character, Silvia Broome, tells Sean Penn’s character, Tobin Keller.
 
Keller talks about wishing death on the man who killed his wife (auto accident) and Broome responds by telling him of this African tribe who handles murder in an interesting way. When one person in the tribe kills someone, they are bound and taken out into the river and thrown in.  The victim’s family is given the choice of whether or not they are willing to jump in to save the killer. Their belief is that in saving the killer, the victim’s family will heal, but if they choose to let the killer die, they will grieve forever.
 
This is a great way to breach the topic of the death penalty.  Not only do you have the story of the tribe, you have the loss suffered by Keller & Broome, but also a character who’s been threatened with assassination for holocaust type crimes against the people in his country.  Who deserves the to die for their crimes?  Christian teaching would say none of them…  Why?
 
It’s also a good way to talk about the differences in the culpability of the killers.  The first, was presumably a real accident.  What is his level of fault?  What if he did it on purpose?  Another victim is shot by a child being raised to kill.  And the last killer has killed hundreds if not thousands by his orders, even if he himself wasn’t holding the gun.
 
Keller refers back to the story of he tribe several times throughout the rest of the movie, wavering back and forth on what choice he would make. So it’s interesting to see him change as his experiences change and as he deals with his grief.  It adds a dimension to the story that probably isn’t necessary for the movie to be good, but definitely makes it one to think about.
 
This story is fictional, but has so many similarities to things going on in Zimbabwe, so much so that it was banned there.  How aware are we of what goes on outside the borders of our country – or our continent?  Does knowing that this stuff actually happens change your opinion about the punishment the killers deserve?  What, if any, ways can we help stop this sort of thing from happening?
 
This is one of my favorite movies so it shouldn’t be a surprise that this is one I highly recommend if you ever get a chance! 
 

Brokedown Palace

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One of my perennial favs in terms of Movie Ministry or Cinema Catechesis is the 1999 flick Brokedown Palace.  It seems that not a lot of people have heard of this film that stars Claire Danes, Kate Beckinsale and Bill Pullman, with even a few appearances by Lou Diamond Phillips.  I promise, it’s worth taking a look at – and there’s enough suspense, that it’s not to “chick flicky” for most guys.

It starts off simple enough, two girls graduate high school and head out for their senior trip. Darlene (Beckinsale) is “the good one” and the other, Alice (Danes) of course, “the bad one.” This movie is about trust & true friendship.  First, the two girls, supposedly headed to Hawaii for their senior trip, decide to switch gears and head off to Thailand, in search of the exotic and thrilling.  But, the girls learn that nothing is as it seems.

Which girl was guilty – even if unknowingly so? Many make assumptions of who is actually to blame. Was it the bad one? Was it the naive one? Or, was it neither of them, but the work of some con artist?  Is their lawyer (Pullman) a help or a hurt?

We work and work to try to figure that out, but does it matter – especially when both girls are paying the price? You never know quite who to trust in the movie. Sometimes you think all the characters are playing each other. But, ultimately it doesn’t matter. There is no such thing as “reasonable doubt” in Thailand, and the time will be done, regardless.

So, what would you do if you and your best friend were in prison together? What would you do if you thought it was your friend’s fault you were there? What if you’d been the one tricked? Would you still care?

So now that we’ve been made to think about the “what ifs”, what lessons do we learn here?

1.  Don’t lie!  The girls lied about where they were going, making it harder to get help once they realized they were in trouble.  They snuck into a hotel and lied about being guests there – which got them caught, and put in contact with a guy we later learn is a drug trafficker, despite his incredibly charming appearance who obviously lies to them.

2.  Be on guard.  It may sound silly – but at so many turns the girls might have avoided some of the punishment they got.  But, they think they know it all, are so busy looking for aventure, that they are careless.

3.  Know who your friends really are.  Those that are charming may look polished and talk smoothly, but are they going to be there for you when you need it?  Who are the most important people in your life?  Are they good influences or bad?  Don’t get me wrong, as this movie portrays, there isn’t always a clear line here.  Sometimes we need someone who’s a little wild in our lives – sometimes we’re the wild ones.  How do those closest to us help us grow, or hold us back?

4.  One thing I applaud the girls on, most especially our bad girl Alice, is in looking out for a friend.  Darlene may be “the good one” but she appears to be quite naive and barely able to watch out for herself in this strange place.  The two girls have a spat over a boy, but still it appears that Alice is more concerned about her friend than anything.  Alice is the strong one and is constantly trying to help Darlene deal with the mess they’re in; they are picked on by guards and prisoners, Darlene’s father shows up and reiterates to Alice what a horrible person he thinks she is and how he blames her for this situation his daughter is in and Darlene gets very ill.  Even at a point when Darlene isn’t speaking to Alice, Alice stays with her and shows she’s willing to offer the biggest sacrifice.

What parallels can you make to scripture with this one – self-sacrifice, for sure.  It’s hard to really discuss this aspect without ruining the ending for you.  Which I really don’t want to do.  You may already be able to guess what happens by what I’ve said and not said here. But, it’s a good movie, suspenseful, with a great message, not just about trust, but also friendship.

For more information check out http://www.imdb.com/title/tt0120620/

50 First Dates

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50 First Dates50 First Dates is one of those movies I wanted to hate, but for whatever reason, I couldn’t. I’m not much of and Adam Sandler fan. I really don’t care for Rob Schnieder. The humor is juvenile and silly, but what girl wouldn’t be totally impressed by a guy who works to make her fall in love with him every day?

So we start off getting to see Sandler’s character, Henry Roth, as the ultimate player. He only dates tourists and Hawaii is obviously full of them. But ultimately, Henry wants to sail up to Alaska to study walruses.

On one of his test drives with his work-in-progress boat, he gets stuck and finds himself waiting for help in a little cafe where he meets Drew Barrymore, who plays Lucy. Their first meeting seems magical and they spend quite a while talking, all seems to be going well. They part ways but Henry can’t get Lucy out of his mind.

So, Henry goes back to the cafe and tries to talk to Lucy – who has a MUCH different reaction than she did before. The cafe owner tells Henry about Lucy’s condition in that she cannot retain any new memories. Each night when she sleeps, it erases the day. While this is the PERFECT out for Henry, he just can’t stay away. So, he goes to the cafe each day and tries various things to get Lucy to talk to him again.

Lucy’s father & brother recreate the day of Lucy’s accident down to the last detail… the football game that was on TV that day, the birthday present they re-wrap each night so it can be given again, a whole stack of newspapers from the day – they cover every base they can. However, through a series of events, their game plan gets changed and they (with Henry) try a new strategy.

As much as Lucy can’t retain memories, certain patterns start to form and even her Dad can see the good Henry has done for her. But, Lucy fears her condition is keeping Henry from doing what he really wants and so she erases him from her life.

So, what do we learn from 50 First Dates? Well, a few things…

1. Conversion is possible. Henry was a player, but his feelings for Lucy made him better. And, shock of all shocks, SHE DIDN’T TRY TO CHANGE HIM!! Henry came to realize on his own how important his connection to Lucy was and all those hot toursistas just didn’t have the same appeal. But that change needs to come from within. If Lucy had tried to change Henry, we wouldn’t have seen his conversion. He might have done what she wanted in hopes of sexual rewards, but it would not have been a true conversion, and when she let him go, he would have happily moved back to what he was doing before meeting her.

2. What we do does affect others, even if we don’t see it, and many times even if they don’t acknowledge it. So, Lucy’s dad points out to Henry that she only sings on the days that she runs into Henry. Then later we see that she’s been artistically re-creating images of him, even though she claims she doesn’t know who he is. Even though she doesn’t remember him consciously, she does remember him subconsciously. How often have you walked away from an exchange with someone and kicked yourself for what you didn’t say, or read more into it than you’d previously thought was there? Everyone has those sort of experiences. Most everything affects us more than we realize – so be careful.

3. Laugh at yourself. Just about every character has certain traits that you can’t help but laugh at. There’s even a few jokes about Lucy’s “broken head.” We can’t take ourselves too seriously.

4. Fall in love every day. I think any and every relationship needs at least a little of this. There is always a certain “ebb and flow” to a relationship. We need to remind ourselves on occasion why we stay with our certain someone and maybe that’s why we celebrate anniversaries and Valentines Day as prescribed times to spend extra time and remind us to fall in love again. We really need to take a lesson from Henry here and work a little harder at this. And hey, most of us have the advantage of having partners who remember the things from the days and weeks before, so this should be significantly easier for the average joe! 😉

Much of the humor is quite crude and I find it sad that the filmmakers seemed to need so much of it with such a great story. If you decide to show this flick, you might want not want it to be a co-ed audience to prevent any awkwardness. However, most everyone has heard this type humor at school, work or somewhere, so I’ll let you judge what your comfortable with.

Want to learn more about the movie, check out http://www.imdb.com/title/tt0343660/

God Bless!

The Ramen Girl

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Sometime last week, my husband and I decided to try out an old Brittany Murphy flick The Ramen Girl. On the surface, it’s about a girl, Abby, who follows her boyfriend to Japan – who then leaves her there.

Hurt and confused, Abby stumbles into the Ramen shop across the street. The owners, Maezumi and his wife, think she is homeless or crazy so they feed her in the hopes that she’ll go away. But, somehow, the Ramen fills more than her belly, as she finds consolation in it. She goes back the next day, and the Ramen makes even the saddest patrons laugh. So she decides that she wants to learn the art of Ramen so that she can bring that joy to others.

When I first sat down to write this post, I had no idea that I could pull much out of it. It seems like a pretty straight-forward “fish out of water” type story. However, as I started writing, I was amazed at how deep it really could be. Imagine that the Ramen Shop owner, Maezumi, is Jesus and Abby becomes a disciple, so to speak. So, in looking at this film through the lens of Catechesis, what can we learn?

1. We are called to “pick up our cross and follow Jesus.” No one ever said it would be easy, or that at points we wouldn’t feel alone. So, while what got Abby to Japan might have been less than honorable, she passes up the easy road and it’s the challenges she faces that make her stronger in the process. You might even take the leap that the boyfriend was like a shady John the Baptist – and leads Abby to Jesus, although indirectly. So, Abby follows her boyfriend, but becomes a disciple on a journey that takes her much farther than the relationship with the boyfriend would have ever been. And I think we can all agree that the boyfriend isn’t fit to untie Maezumi’s sandals!

2. When she sets her mind to learn Ramen, Maezumi gives Abby a LONG list of chores. From washing dishes to scrubbing toilets, cleaning tables and washing windows, she learns the value of work, although she isn’t quiet about her distaste for it. For Maezumi, it’s the basics. It’s those things that don’t seem to be related to the end goal, but are actually foundational building blocks. You can have the best food in the whole world, but if the surrounds are dingy, its unlikely people will give it the time of day. So maybe it’s those prayers or scripture passages we don’t want to memorize, maybe it’s basic teachings we don’t think we agree with, but they are all part of the big picture. They all are ingredients in our Ramen.

3. There is a huge language barrier between Abby and Maezumi. With the help of a dictionary and the occasional interpreter they muddle through, but it is hard, frustrating, and the series of exchanges, though heated, can be quite funny. There’s a lesson here though. You can take it at face value: a stranger in a strange land. However the thing that really pops to mind is that frustration and difficulty we sometimes feel talking to God. We find ourselves on one side spewing out what we think we need and what we expect from Him, all the while feeling that He doesn’t really understand us and often wondering if he’s even listening. Then on the other hand, how often is He trying to talk to us, but we’re too busy trying to get our point across to listen to Him? So check out those exchanges… how do they get resolved or do they?

4. We also learn that all the choice ingredients mean nothing if there’s there’s not a piece of ourselves in it. Maezumi can’t put his finger on what is missing from Abby’s ramen, so he takes her to his mother. Now, this is a deviation from our analogy of Maezumi as Jesus, because we don’t ever see Jesus asking Mary for advice, but he does entrust us to her. “Son, behold your mother. Mother behold your son.“ Yet even that is stretching it for this one, so rather than try to rationalize any further, we’ll get to the point of the exchange: We can talk the talk, but if our hearts aren’t in it, what are we doing it for? We must believe it and put ourselves out there. Because ultimately, aren’t we all looking for the Grand Master’s blessing?!

5. Another point is you can make with this movie is the reconciliation Abby brings about for Maezumi. You see, Maezumi raised his son teaching the art of ramen. However, his son rejects it, despite his great gifts, to be an ITALIAN chef! Maezumi has such a difficult time with this decision. And, in a very un-Jesus-like fashion, Maezumi turns his back and holds in the hurt. In an effort not to ruin it, although it is a minor part of the movie, I’ll hold back the hows and whys here. But hopefully it inspires us to reach out a loving hand to someone we need to reconcile with.

6. **Spoiler Alert!!!** The last point for me is that once Abby has mastered the art of Ramen, she doesn’t stay in Japan. She moves back home, but takes this gift and shares it with others back home in New York. It appears that her place is booming and business is good. Therefore, our lesson is that called to share our gifts with the world, spread the good news of Jesus. I sort of wish I got to see more of how she continues on, but, that is left to our imagination.

Be forewarned, this film does have some scenes depicting alcohol use and Abby does have a brief romance including a bedroom scene. But, if memory serves, it does deserve the PG-13 rating, but isn’t embarrassing enough to worry about showing in a group setting assuming they’re all at least 13.

God Bless!

For more information on the movie, check out http://www.imdb.com/title/tt0806165/